Tag Archives: Review

Army of Darkness: Furious Road #1 & #2 Review


Army of Darkness: Furious Road is an awkward but gripping piece that brings Ash toe to toe with Universal Monsters who travel as only a Road Warrior could. It’s strange, make no mistake, but it’s one of the strongest story arcs we’ve gotten from an Army of Darkness run in quite some time.

The story pretty much unravels as most Army of Darkness titles do, with Ash tangling with Deadites over the Necronomicon. As we’ve seen over the years Ash isn’t opposed to teaming up with folks if it means clearing the Deadite mess up once and for all. This time around we happen to get modernized takes on Frankenstein’s Monster, Dracula, The Daughter of Dracula and of course, a spunky Wolf Man. It’s a fine batch to work with, and it earns big points from me, as I’ve always been an extreme Universal Monster enthusiast.

Two issues in and the pace is just right. We’ve had a few bad ass action sequences, a glimpse of the Delta, Ash’s evil twin is in town. It’s all here, as you’d hope. But the monsters – the heroic lot, not the undead – add an interesting dynamic to the story. At this point it’s an exciting and engaging story.

Nancy A. Collins does fine work paying homage to Mad Max as well as the older icons featured in the tale, but Collins isn’t alone in success. Kewber Baal’s artwork is mean. It’s sharp and it mirrors the mood of the narrative. More points from me.

This is one of the finer Army of Darkness books. It’s worth the cover price, so if you’ve been curious but haven’t been too certain of where or when to jump in, now is an excellent time.

You can pick up both issues right here.

Rating: 4/5

Throwback Review – Spectacular Spiderman #1


It’s time to rewind the clocks and jump into one of my favorite Spidey comics, Spectacular Spiderman.

The inaugural issue absolutely rocks and today holds a nostalgic charm you don’t get from every book out there. It also pits Spiderman in a rematch with the nimble and extremely able Tarantula. Who takes this round? And who does the Tarantula have targeted? He isn’t back for Spidey alone, no. He’s also got his peepers on the Vice Chancelor of Petey’s school. He’s destined to run into both, but what will be the final outcome?

I love this book. Probably – I’ll find out soon enough – every single issue. And while I think Marvel could have kicked this one off with focus on a villain that holds a bit more of a marquee appeal, Tarantula is a fine starting point, as it leaves the book – already very solid – with nowhere to go but up.

Gerry Conway’s story has a hint of a throwback charm and a reasonable dose of contemporary style to it, simultaneously. That mixture prevents the book from feeling too dated, but also summons a strange idea of innocence. It’s an unorthodox but engaging mix.

And, of course, I can’t possibly move on without issuing huge praise to one of history’s greatest Spidey artists, Sal Buscema. Buscema did it all. He drew for every major book from the 70s up well beyond the old Y2K mark. His style is very clean with plenty of animated faces and smooth lines. We’re talking about a legend of the pencil who’s got the respect of everyone in the industry.

We leave the first issue with questions on our minds. There are some things to be resolved, and by the end of this story arc we’ll likely see Spidey and Tarantula tangle on a few more occasions. It’ll be close folks, but we’re picking Spidey by TKO!

Rating: 4/5

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Hellboy Winter Special (2016) Review


It’s hard to go wrong with any book that showcases the genius of Mike Mignola. Whether you’re a fan or not, debating the man’s place in comic book history is pointless. He’s a mountain toppler, and that’s all there is to it. Hellboy was a gift that I – ironically – could have deemed delivered by God… of course, we know the truth. Hellboy is Mignola’s creation, and Hellboy truly does rank amongst the finest heroes (Hellboy is actually a genius character that sometimes rides a fine line between hero and antihero) we’ve ever seen. When you examine the entire character and his origin, he feels a little paradoxical, which says a lot for the character, because whether we feel we understand every wrinkle of his personality or not, we sure do love the red devil!

If you love Hellboy, you’re going to love Hellboy: Winter Special. We get a small handful of stories from this one, and not one of those stories comes across as anything less than top notch work. But the big standouts are quite clearly Wandering Souls and Mood Swings, two radically different but ultimately charming tales that resonate.

Wandering Souls, the second story in the book is a good old fashioned ghost tale that puts a Chinese tribe, once slaughtered, now haunting the land in search of their very own bones, at the forefront of things. It’s a quick but solid read that feels as though it could easily be transferred to animated film, a la Sword of Storms or Blood and Iron, and it comes complete with a vintage Hellboy slugfest. Excellent work delivered by the pitch-perfect trio of Mignola, Chris Roberson and Michael Walsh.

The other homerun in the book is delivered by writer Chelsea Cain and artist Michael Avon Oeming, who come together to explore the intricacies of the blossoming youth while pitting Hellboy against off-putting little parasites known as Snow Geists, wicked little critters that climb inside snowmen, transforming them into animated and murderous monstrosities. While the expected battle between Hellboy and the Snowmen is awesome, this one really appeals due to the human charm of the tale, and the exploration of the female youth. It’s more great work, and certainly reason to campaign for more future Hellboy work from both Cain and Oeming.

The simple fact of the matter is this: I could spend a few hours praising this book, or I can cut to the chase, dish out a confident 5-star rating and tell you to order it right here. It’s a mighty fine investment worthy of more than a single read.

Rating: 5/5

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What We Want to See from Batman vs. Superman: Dawn of Justice


I haven’t made it over to see Batman vs. Superman: Dawn of Justice yet, but it’s not for lack of trying. I drove by the theater 20 minutes before the day’s first showing. That crowd was as about as nasty as it gets, the line stretching the length of the theater and then some. It got me thinking, what in the world do I really hope to see from this movie? And, well, that simple thought leads me here, writing about a movie I should be watching right now.

A Prolonged Battle: The one thing I’d hate to see is these two comic icons duke it out for three minutes before they jump on the happy train by making up and joining forces, all a necessity to combat the wrecking ball that is Doomsday. Batman and Superman should be beating the snot out of each other for a solid 12-15 minutes if Snyder hopes to keep blood thirsty fans pleased.

https://www.youtube.com/watch?v=skubcomU0U8

Blood: We’re hoping to see this collision get a little bit bloody. In reality, Batman stands little chance against the physically superior Superman, and that should lead to a brutal beating, assuming Batman shows up to fight. We’re hoping Zack Snyder goes grimy and bloodies things up. In all actuality, there’s basically no way that Bruce Wayne walks away from this fight without looking like raw hamburger.

https://www.youtube.com/watch?v=AgQrxGV7Brk

Let’s Make Doomsday as Tough as He Truly is: Doomsday is the absolute freak that once beat every last ounce of life from Superman. Literally, he killed our beloved hero. How Superman came to return to the spotlight is irrelevant, what is relevant is the impact that Doomsday has. He’s Batman’s Bane, Spiderman’s Green Goblin, The X-Men’s Magneto. Give him the respect he deserves, even it means we have to see at least one of these heroes revived in the inevitable follow-up film.

https://www.youtube.com/watch?v=Ky4mDwJW_ZA

Batman Deserves to Know: We all know, based on the footage we’ve seen, that Superman knows Batman’s identity (he’s Superman, of course he knows!) in the film. But I haven’t seen anything to suggest that Wayne knows Superman’s alternative identity. But he has to know. He’s basically the world’s toughest detective. And he’s good. Here’s hoping the writing crew responsible for the screenplay respect Bruce’s intelligence.

No Cliffhangers: We all know that DC is gearing up to make a serious run at Marvel. They’ve basically got the same plan in motion, hoping to create a cohesive DC universe. We don’t know if it’s all going to work out yet, but we know it’s happening, and that’s why we deserve a definitive close to this film. It doesn’t really need the sequel we’re all expecting. These two can meet up and handle any lingering difference in one of the Justice League flicks, or one of the many other planned films (tell me it wouldn’t be cool to see Aquaman attempt to break up a fight between Batman and Superman). Let’s avoid any cliffhangers and completely abolish the idea of a sequel. There’s enough room to handle business in future DC films, no doubt about it.

Dark Horse Delivers a Beautiful Aquatic Mystery in ‘Dept. H #1’ Review


Matt Kindt isn’t just a brilliant storyteller, he’s mighty sufficient with the pencil as well. The man can do it all, and he’s back to prove that to the masses with his latest Dark Horse release, Dept. H. An unconventional story by all accounts, Kindt drops us deep in the ocean to solve a murder mystery. It’s like Clue, in the deep end of the pool… except exponentially more rewarding.

Mia has been recruited by USEAR – Underwater Scientist Exploration and Research – to investigate a murder that occurred deep beneath the water’s surface, in a research station. While the majority of the inaugural issue doesn’t yield much in the way of significant revelations, it does succeed in introducing us to our immediately likeable lead protagonist all the while lining up the murder suspects. We know the man who killed Mia’s father is somewhere in the research facility and she’s made it a professional and personal goal to solve this mystery.

Kindt’s work has always been top notch, but to see him take to the ocean’s floor feels refreshing. One single issue in and I’m completely addicted to this stunning who-dun-it piece. From Kindt’s narrative to the unique artwork and complex characters, Dept H is an immediate hit for Dark Horse.

Issue number two cannot arrive fast enough!

Pre-Order it right here!

Rating: 5/5

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‘Ghostbusters International #1’ Review


Ghostbusters International starts on a slow note, as they make the typical entity wrangling before being approached by the absurdly wealthy Erland Vinter, who has some plans for the gang. While we don’t receive too much in the way of details (that’s to come in issue number two, no doubt), we do get the very obvious idea that our loveable paranormal squashers won’t be hanging around New York for this specific assignment.

This is a fine opener, and writer Erik Burnham keeps the feel and continuity of recent stories intact. Picking this book up it feels as though we haven’t missed a beat, which is good news for hardcore Ghostbusters fans. Burnham also garners praise for keeping each of the Ghostbusters’ personalities very true to Ivan Reitman’s original source feature. You’ve got to love that.

As for the artwork, fear not – Dan Schoening brings his trademark style to the book, keeping the look of our protagonists clean yet simple. No pencil stroke is wasted by Schoening. All in all, the book looks great, and what we see in regards to villains is standout stuff.

Ghostbusters always have and always will entertain me. There are only so many paths these gentlemen can travel, but there’s clearly still room for expansions, as the numerous GB titles out there haven’t grown stale yet. With a brand new Ghostbusters reboot headed to the big screen soon, it doesn’t look as though this paranormal balloon will be deflating any time soon.

This is solid work that comes recommended. Order it here.

Rating: 4/5

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‘Pencil Head #1’ Review


Ted McKeever’s got an interesting style. He’s also got a book on his hands that has the potential to go down in history as one of the finer creations of the comic world. Pencil Head is dark and satirical, jaded to the core but lively on all fronts. It’s interesting to say the least, and any living soul on Mother Earth who is beyond fed up with their boss, their working conditions or the mundane manner so many lives take on, Pencil Head is most certainly for you.

The story focuses on Poodwaddle, a frustrated creator of comics. He lives something of a lonely life, he’s sick and tired of his publisher attempting to take creative control over his work, often pushing it in a direction he can’t begin to agree with. But Poodwaddle meets with an old friend, Luthais, in the biz, and that friend offers him a chance to write something that leaves him feeling fulfilled.

Between his professional problems and the sudden appearance of one of his very own creations, now come to life to haunt the man, he definitely needs the change. He needs some normalcy in his life, and he may just be on the cusp of obtaining it, if he can pull himself together and move forward.

McKeever’s harsh outlook on life is genius and sadly, somewhat realistic. He’s created a couple of characters that are going to resonate in the mind of readers. These players are crude yet hilarious and this book stands to head in the direction of cult status. Pencil Head won’t work for everyone, but those who do find pleasure in reading this are likely to remain onboard as long as McKeever’s willing to extend us more greatness.

I simply cannot begin to recommend this book enough. It’s amazing!

Rating: 5/5

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New 52 ‘Batman – The Dark Knight #1’ Review


The official inaugural issue of Batman – The Dark Knight sees Bruce being hounded by internal affairs, who aim to find out precisely why he’d co-sign a vigilante like Batman. Bruce is busy smooth talking his way out of the mess when we meet Jai Hudson, a lovely looker who manages to separate Bruce from his unwanted guest. Jai, for the record is a suave speaker who may just have something to hide.

Cut away to Arkham Asylum and we learn that hundreds of inmates have overthrown the facility and are breaking free. Then Batman shows up and things get very interesting. Batman theorizes that the violent outburst may be cover for the escape of Harvey Dent, better known as Two-Face.

When Batman does finally locate Two-Face he gets the surprise of a lifetime. This isn’t the Two-Face readers are accustomed to seeing. This Two-Face looks as though he’s been tapping into Bane’s Venom, and he looks furious. He also calls for a new moniker as he stares Batman down and declares, “You can call me One-Face now!”

Here’s a book that makes for a stellar read. Writer Paul Jenkins works up an edgy and dark tale with very little downtime and a grand finale. Meanwhile David Finch gives us supremely crisp illustrations with beautiful shading and diverse character looks. Alex Sinclair also warrants major praise for his often contrasting colors and stunning looks at the artificial police lighting as Batman descends on Arkham Asylum.

This is how I like my Batman books. Brutal and unforgiving, dark and aimed at a slightly older audience. Books like this refuse to pull punches, and Batman deserves that. The edge is reminiscent of the stellar Nightfall storyline. If you’ve been avoiding a lot of DC’s New 52 books, make sure this isn’t one of them.

Rating: 5/5

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New 52 ‘Batman – The Dark Knight #0’ Review


The zero issue of the New 52’s Batman The Dark Knight doesn’t really give us anything refreshing to contemplate, as it serves as the foundation for the origin of Batman. We travel back in time to Bruce Wayne’s younger days, picking up immediately after Bruce’s parents were robbed and killed. We see Bruce grow to be a young man, constantly tracking the murderer until finally, very near adulthood, Bruce learns that it was Joe Chill who killed his folks. And he didn’t do it as a hired hand, he did it as a broke transient in need of fiscal stability. It’s not quite the revelation that Bruce had hoped for, although it does prime him to become a crime fighter.

The book reads well, thanks to writer Gregg Hurwitz, who has more than adequate skills to let the narrative pull readers from reality. And Hurwitz gets solid assistance from Mico Suayan and Juan Jose Ryp who do amazing work with the illustrations. Together the three deliver a book that should have Batman fans eager to leap into new territory for the Bat.

The book gives us some great insight into the poverty that’s beginning to swallow Gotham whole, which should line us up for some very compelling tales in future books.

There really isn’t much more to speak on. This one is as straight forward as can be, but the talent behind the book certainly instills some hope for future issues. We’ll see where this group leans us.

Rating: 3/5

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