All posts by The Overseer

Author of Say No to Drugs, writer for Blumhouse, Dread Central, Horror Novel Reviews and Addicted to Horror Movies.

‘Ghostbusters International #1’ Review


Ghostbusters International starts on a slow note, as they make the typical entity wrangling before being approached by the absurdly wealthy Erland Vinter, who has some plans for the gang. While we don’t receive too much in the way of details (that’s to come in issue number two, no doubt), we do get the very obvious idea that our loveable paranormal squashers won’t be hanging around New York for this specific assignment.

This is a fine opener, and writer Erik Burnham keeps the feel and continuity of recent stories intact. Picking this book up it feels as though we haven’t missed a beat, which is good news for hardcore Ghostbusters fans. Burnham also garners praise for keeping each of the Ghostbusters’ personalities very true to Ivan Reitman’s original source feature. You’ve got to love that.

As for the artwork, fear not – Dan Schoening brings his trademark style to the book, keeping the look of our protagonists clean yet simple. No pencil stroke is wasted by Schoening. All in all, the book looks great, and what we see in regards to villains is standout stuff.

Ghostbusters always have and always will entertain me. There are only so many paths these gentlemen can travel, but there’s clearly still room for expansions, as the numerous GB titles out there haven’t grown stale yet. With a brand new Ghostbusters reboot headed to the big screen soon, it doesn’t look as though this paranormal balloon will be deflating any time soon.

This is solid work that comes recommended. Order it here.

Rating: 4/5

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Deadpool Has Already Made More Money than These 16 Marvel Blockbusters


Deadpool is… well, he’s killin’ it!

Marvel’s R-rated action comedy featuring everyone’s favorite mouthy merc, Wade Wilson has now surpassed the $328 million mark on the domestic market, and it’s been slaying internationally, as well. Believe it or not, it’s still got steam at the box office; it’s been available to the public for about five weeks, and it’s still drawing north of the $10 million weekly mark. That’s absurdly impressive.

But just how impressive is it? Over the last decade or so we’ve seen Marvel roll out huge blockbuster after huge blockbuster. And the vast majority of them really do win crowds over, toppling the $100 million mark almost without fail.
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Marvel owns cinematic comic adaptations, plain and simple. DC looks to be playing catch-up, but with pictures like Deadpool being produced it’s going to take a lot of work to catch up to Marvel, or even rival the quality of their films.

Let’s get back to business, which is this very real question: Just how is Deadpool comparing to fellow successful Marvel releases?

The answer: Wonderfully! The pic has already hit $708 million worldwide with a current domestic mark of $328 million.

Here are 16 Marvel movies that had the momentum to comfortably trek past the $100 million mark, and did enjoy success on the international market, but didn’t quite have the steam to draw more than Deadpool has managed.

1 Ghost Rider – Domestic = $115 million – Worldwide = $228 million

2 The Incredible Hulk (2008) – Domestic = $134 million – Worldwide = $263 million

3 Fantastic 4: Rise of the Silver Surfer – Domestic = $131 million – Worldwide = $289 million

4 X-Men – Domestic = $157 million – Worldwide = $296 million

5 Fantastic 4 (2005) – Domestic = $153 million – Worldwide = $330 million

6 X-Men: First Class – Domestic = $146 million – Worldwide = $353 million

7 Captain America: The First Avenger – Domestic = $176 million – Worldwide = $370 million

8 X-Men Origins: Wolverine – Domestic = $179 million – Worldwide = $373 million

9 X2: X-Men United – Domestic = $214 Million – Worldwide = $407 million

10 The Wolverine – Domestic = $132 million – Worldwide = $414 million

11 Thor – Domestic = $181 million – Worldwide = $449 million

12 X-Men: The Last Stand – Domestic = $234 million – Worldwide = $459 million

 

13 Ant-Man – Domestic = $180 million – Worldwide = $519 million

14 Iron Man – Domestic = $318 million – Worldwide = $585 million

15 Iron Man 2 – Domestic = $312 million –Worldwide = $623 million

16 Thor: The Dark World – Domestic = $206 million – Worldwide = $644 million

 

‘Pencil Head #1’ Review


Ted McKeever’s got an interesting style. He’s also got a book on his hands that has the potential to go down in history as one of the finer creations of the comic world. Pencil Head is dark and satirical, jaded to the core but lively on all fronts. It’s interesting to say the least, and any living soul on Mother Earth who is beyond fed up with their boss, their working conditions or the mundane manner so many lives take on, Pencil Head is most certainly for you.

The story focuses on Poodwaddle, a frustrated creator of comics. He lives something of a lonely life, he’s sick and tired of his publisher attempting to take creative control over his work, often pushing it in a direction he can’t begin to agree with. But Poodwaddle meets with an old friend, Luthais, in the biz, and that friend offers him a chance to write something that leaves him feeling fulfilled.

Between his professional problems and the sudden appearance of one of his very own creations, now come to life to haunt the man, he definitely needs the change. He needs some normalcy in his life, and he may just be on the cusp of obtaining it, if he can pull himself together and move forward.

McKeever’s harsh outlook on life is genius and sadly, somewhat realistic. He’s created a couple of characters that are going to resonate in the mind of readers. These players are crude yet hilarious and this book stands to head in the direction of cult status. Pencil Head won’t work for everyone, but those who do find pleasure in reading this are likely to remain onboard as long as McKeever’s willing to extend us more greatness.

I simply cannot begin to recommend this book enough. It’s amazing!

Rating: 5/5

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New 52 ‘Batman – The Dark Knight #1’ Review


The official inaugural issue of Batman – The Dark Knight sees Bruce being hounded by internal affairs, who aim to find out precisely why he’d co-sign a vigilante like Batman. Bruce is busy smooth talking his way out of the mess when we meet Jai Hudson, a lovely looker who manages to separate Bruce from his unwanted guest. Jai, for the record is a suave speaker who may just have something to hide.

Cut away to Arkham Asylum and we learn that hundreds of inmates have overthrown the facility and are breaking free. Then Batman shows up and things get very interesting. Batman theorizes that the violent outburst may be cover for the escape of Harvey Dent, better known as Two-Face.

When Batman does finally locate Two-Face he gets the surprise of a lifetime. This isn’t the Two-Face readers are accustomed to seeing. This Two-Face looks as though he’s been tapping into Bane’s Venom, and he looks furious. He also calls for a new moniker as he stares Batman down and declares, “You can call me One-Face now!”

Here’s a book that makes for a stellar read. Writer Paul Jenkins works up an edgy and dark tale with very little downtime and a grand finale. Meanwhile David Finch gives us supremely crisp illustrations with beautiful shading and diverse character looks. Alex Sinclair also warrants major praise for his often contrasting colors and stunning looks at the artificial police lighting as Batman descends on Arkham Asylum.

This is how I like my Batman books. Brutal and unforgiving, dark and aimed at a slightly older audience. Books like this refuse to pull punches, and Batman deserves that. The edge is reminiscent of the stellar Nightfall storyline. If you’ve been avoiding a lot of DC’s New 52 books, make sure this isn’t one of them.

Rating: 5/5

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New 52 ‘Batman – The Dark Knight #0’ Review


The zero issue of the New 52’s Batman The Dark Knight doesn’t really give us anything refreshing to contemplate, as it serves as the foundation for the origin of Batman. We travel back in time to Bruce Wayne’s younger days, picking up immediately after Bruce’s parents were robbed and killed. We see Bruce grow to be a young man, constantly tracking the murderer until finally, very near adulthood, Bruce learns that it was Joe Chill who killed his folks. And he didn’t do it as a hired hand, he did it as a broke transient in need of fiscal stability. It’s not quite the revelation that Bruce had hoped for, although it does prime him to become a crime fighter.

The book reads well, thanks to writer Gregg Hurwitz, who has more than adequate skills to let the narrative pull readers from reality. And Hurwitz gets solid assistance from Mico Suayan and Juan Jose Ryp who do amazing work with the illustrations. Together the three deliver a book that should have Batman fans eager to leap into new territory for the Bat.

The book gives us some great insight into the poverty that’s beginning to swallow Gotham whole, which should line us up for some very compelling tales in future books.

There really isn’t much more to speak on. This one is as straight forward as can be, but the talent behind the book certainly instills some hope for future issues. We’ll see where this group leans us.

Rating: 3/5

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Get Ready for an All-New Halo Anthology!


Dark Horse knows how to keep Halo fanatics satisfied! Check out the latest Halo graphic novel, which heads your way later this year!

343 Industries and Dark Horse Comics are set to release a brand-new Halo® graphic novel anthology based on the massive video game franchise later this year.

 

Halo: Tales from Slipspace will feature all-new stories from some of the comic industry’s best—including Jonathan Wayshak, Eric Nguyen, Alex Irvine, Kody Chamberlain, Dave Crosland, John Jackson Miller, Jonathan Goff, Simon Roy, and Halo: Escalation writer Duffy Boudreau—as well as 343 Industries’ own Franchise Creative Director Frank O’Connor and Franchise Producer Tyler Jeffers. This action-packed anthology is essential reading for all Halo fans!

 

343 Industries and Dark Horse have also produced two blockbuster comics series with canonical story lines written by writers from the video game franchise (Halo: Initiation and Halo: Escalation) and will rerelease the graphic novel Halo: Fall of Reach in March.

 

Halo: Tales from Slipspace is in stores October 12, 2016. Preorder your copy today at your local comic shop or through these fine retailers:

Amazon
Barnes and Noble
IndieBound

‘Dead of Night: Featuring Man-Thing #4’ Review


And finally we reach the conclusion to this captivating, half-horror, half-science-fiction piece. Thoroughly engaging from page one of issue one, I’m a bit bummed to see the mini-series come to a close. It’s been nothing short of magnetic and it’s successfully turned me into a certified Man-Thing fan.

In the final chapter of this tale a group of operatives head for the swamp. They work for AIM, the terrorist organization responsible for the disaster that inevitably led to the creation of Man-Thing, and they’re objective is to kill all remnants of the experiment. And Ellen Brandt still has her personal score to settle.

In the end, with the help of Jennifer the mercenaries have been disposed of, quite violently. And, as would be expected the final showdown sees Man-Thing and Ellen face off to bring their feud to a bloody end. Or, perhaps a closer conclusion? A morbid sense of intimacy as things are all… wrapped up and the swamp is back to being the swamp.

An amazing read from Roberto Aguirre-Sacasa that grips the attention and never lets go, and the attractive diversity of the artwork – wrapped by Nic Klein – make Man-Thing something of a special find. It offers no downtime, generates unlikely but loveable relationships and even reminds us that Mother Nature is to be cherished. Few books resonate as this one, which is why it earns high marks and endless recommendations!

Rating: 5/5

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‘Dead of Night: Featuring Man-Thing #3’ Review


Man-Thing just can’t catch a break. This guy wants some peace. Instead, he’s got a couple douche bags with cameras looking to catch the beast on film. Anything for a buck, eh? But, perhaps more important we see that Jennifer and her brother have continued nurturing their relationship with him, and they’re warning him of a group headed for him, for hunting purposes.

Eventually the hunters, the amateur film makers and a vicious crew hell bent on destroying the monster collide in a frantic display. But just as the violence seems to be reaching an end we see the return of an old nemesis of Man-Thing, Ellen Brandt, and she’s out for flesh and blood and bone and brain. And Man-Thing is the number one priority of this psycho.

At this point it feels a little bit repetitive, but it feels improper to continue heaping praise on Roberto Aguirre-Sacasa, but by God the man is something special. And the loveable lunatic handling the artwork this time around happens to be Javier Saltares, a stud in his own right. Oh, and for the record, I’ve been depriving Nick Percival of his just dues. He works the “Digger Sequences” which are harrowing in image but gorgeous to the morbid mind. A fine touch to an even finer book!

Rating: 5/5

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‘Dead of Night: Featuring Man-Thing #2’ Review


Brian Denham steps in to handle the art for the second of four issues featuring the Man-Thing, and it must be said, he adds a completely new flare for the book. While Kano’s work in issue one was top notch, Denham’s work feels noticeably bleaker. This is grim, haunting imagery, no two ways about it. As for the story itself, fear not, Roberto Aguirre-Sacasa’s still handling this, and he’s still bringing home the bacon, so to speak!

In issue number two we meet Jennifer Kale, a struggling young woman who raises her younger brother and pays the bills by dancing, under the seductive name Witch Woman. She doesn’t seem too proud of her current career, but it pays the bills. It also lands her in trouble.

Four lunatic ex-soldiers are spending their night at her place of employment. They peg her as their next victim, and when she exits the building, off the clock and bus-bound, she’s ambushed by these scumbags. Soon, she wakes in a room, in a shack out in the swamps. It doesn’t take a genius to guess what these freaks have in store for her. Well, maybe it does.

Before the men can rape her, Jennifer undergoes one hell of a transformation. She’s certainly more witch than stripper club patrons believe. She’s a full-on witch capable of convincing anyone that’s she’s anything, even monster. And she’s going to surprise these clowns in a terrifying way.

Not that it matters, these goons run smack dab into a true fate as they flee, running directly into Man-Thing, who offers no illusions, just brutality. And what of Man-Thing and Jennifer? There’s a bond being built here and I like where it’s headed.

Another top notch book. Brilliant characters, amazing artwork and ideas at work. This is a strong group here, and they’re giving Man-Thing the tale he deserves. More grade-A work!

Rating: 5/5

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