Old Man Logan offers readers a look at a Wolverine that we’re not all too familiar with. See, Logan wakes to one day realize the world seems to be nothing as he knows it. He’s a stranger in a strange land, until the memories come flooding in and he’s forced to accept a future he would have once balked at.
The villains of the world finally got their act together, formed a massive alliance and not only obliterated superheroes, but just about anything in their path. What remains of those who were once gifted, fighting the good fight, is slim to say the least.
But the reality of it all is burrowing deep in Logan’s mind, and that’s never a good thing Logan dwells. He always has. And this time, he’ll dwell with a chance to change the future, as he’s somehow seen the clock rewound to a time just before the menaces of the world would take place as the alphas of the world. And only one remains: Can Logan change a dreadful future before it becomes a nightmarish present?
Jeff Lamire fires big, right out of the gate. And he does a stellar job of making Logan, a man once feared by anyone on the wrong side of his own stance, the law or the well-being of decent mutants, all but helpless. Domesticated and fragile, Logan will have his hands full if he hopes to get to the bottom of things and right a ship already losing course.
Artist Andrea Sorrentino does a great job of giving us something of a guerilla-style visual. Image details often masked by shadows, villains blending into one another, wide and expansive backgrounds, the perfect setup for focus on our heroes and villains. And Sorrentino doesn’t accomplish the look alone, colorist Marcelo Maiolo adds a great deal of depth to the book.
As a longtime fan of Wolverine, I’m always on the hunt for a new spin. A place Logan hasn’t yet ventured. A villain Logan has yet to collide with. Old Man Logan offers up a lot of the very things I search for.
Grade-A work, right here!
Order issue #1 right here.